CR-02 • 35AF I

from €249.00
25 available
Size:

Materials & Presentation

This photograph is printed on Hahnemühle FineArt Baryta, a thick, high-quality paper with a distinct texture and soft gloss.
It brings out deep blacks, strong contrast, and fine detail. The result is a print that feels both classic and precise.

Prints are shipped unframed and unmounted so you can decide how best to display them in your space.
For framing or other custom requests, please email contact@cruentis.art before purchasing.

Edition and Phase Pricing

This work is available in three formats. Each size is strictly limited and released in three phases.
When one phase sells out, the next begins at a higher price.
Early collectors benefit from lower pricing while later phases reflect increased rarity.

Edition Breakdown by Size:

60×40 cm — 25 prints total
  Phase I: 12 / Phase II: 8 / Phase III: 5

90×60 cm — 20 prints total
  Phase I: 9 / Phase II: 7 / Phase III: 4

120×80 cm — 10 prints total
  Phase I: 4 / Phase II: 3 / Phase III: 3

Each print is tracked individually. Prices increase as editions sell out.

A Cruentis original
Photographed by Miguel Subtirelu

CR-02 • 35AF I

Shot on 35mm black and white film, this photograph shows a building barely visible through thick fog, with wires crossing the frame.
The heavy grain and soft light give it a quiet, eerie mood, while the outlines of the structure and the sharp lines of the wires add tension and depth.

Print and Delivery

Paper: Hahnemühle FineArt Baryta (325 gsm)
Surface: Textured with a soft natural gloss
Production: Made to order by a certified fine art lab in Germany
Shipping: Securely packaged and insured, with care taken to protect each print during transit

Certificate and Edition Info

Comes with a printed certificate of authenticity
Edition number and phase are marked on the certificate

Shipping and Returns

Worldwide shipping from Germany - Made to order
Damage protection: If your print arrives damaged, a replacement will be provided at no cost
Import taxes or customs fees may apply depending on your country

Care Instructions

Handle only with clean white cotton gloves
Frame using UV-protective glass and archival materials
Keep out of direct sunlight and away from humidity











Materials & Presentation

This photograph is printed on Hahnemühle FineArt Baryta, a thick, high-quality paper with a distinct texture and soft gloss.
It brings out deep blacks, strong contrast, and fine detail. The result is a print that feels both classic and precise.

Prints are shipped unframed and unmounted so you can decide how best to display them in your space.
For framing or other custom requests, please email contact@cruentis.art before purchasing.

Edition and Phase Pricing

This work is available in three formats. Each size is strictly limited and released in three phases.
When one phase sells out, the next begins at a higher price.
Early collectors benefit from lower pricing while later phases reflect increased rarity.

Edition Breakdown by Size:

60×40 cm — 25 prints total
  Phase I: 12 / Phase II: 8 / Phase III: 5

90×60 cm — 20 prints total
  Phase I: 9 / Phase II: 7 / Phase III: 4

120×80 cm — 10 prints total
  Phase I: 4 / Phase II: 3 / Phase III: 3

Each print is tracked individually. Prices increase as editions sell out.

A Cruentis original
Photographed by Miguel Subtirelu

CR-02 • 35AF I

Shot on 35mm black and white film, this photograph shows a building barely visible through thick fog, with wires crossing the frame.
The heavy grain and soft light give it a quiet, eerie mood, while the outlines of the structure and the sharp lines of the wires add tension and depth.

Print and Delivery

Paper: Hahnemühle FineArt Baryta (325 gsm)
Surface: Textured with a soft natural gloss
Production: Made to order by a certified fine art lab in Germany
Shipping: Securely packaged and insured, with care taken to protect each print during transit

Certificate and Edition Info

Comes with a printed certificate of authenticity
Edition number and phase are marked on the certificate

Shipping and Returns

Worldwide shipping from Germany - Made to order
Damage protection: If your print arrives damaged, a replacement will be provided at no cost
Import taxes or customs fees may apply depending on your country

Care Instructions

Handle only with clean white cotton gloves
Frame using UV-protective glass and archival materials
Keep out of direct sunlight and away from humidity